While the F/X are tame by today’s standards, they still pack quite a pus bucket punch. Centering on a magician whose Grand Guignol-inspired “tricks” eventually materialize in real life, we get nothing but nonstop nastiness. The Wizard of Gore (1970)Īmong all his sluice-defining films, this is one of Herschell Gordon Lewis’ most grim. No, it’s frost on the pumpkin time, and in recognition of the upcoming fright night, we offer the 20 Greatest Splatter Films the fright genre has ever produced, beginning with… 20. War is hell workouts like Saving Private Ryan or Letters from Iwo Jima are purposefully left off, allowing more room for our favorite fright flicks, while deconstructionist Westerns such as El Topo and The Wild Bunch are missing as well. Lastly, as it’s October, we’ve stayed firmly within the traditional fear factors. Similarly, movies like Island of Death and Subconscious Cruelty are marginalized for being more hype than horror. Offerings like the Guinea Pig trilogy and the Faces of Death mock docs are instantly discounted since they are far more focused on the sordid (and the fraudulent recreation of same) than selling themselves as actual motion pictures. In compiling this list, we have also purposely avoided certain titles that seem antithetical to any discussion of film. It’s definitive in its narrow perspective only. Besides, this overview is meant as a mere stepping stone, a jumping-off point for discussion and debate.
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While it would be nice to experience each and every title that the world’s wanton cinema has to offer, it’s logistically impossible. It’s a conscious decision, one meant to highlight films actually seen vs. Marrow mavericks and skull-cracking connoisseurs will have their own special selections, movies that push the absolute limits of brain bashing and torso tearing, while others will question the overt Western angle that makes up the majority of these choices. No, in order to really understand and appreciate what gorehounds find exciting, one needs a crash course in cruelty – and these 20 films can provide said viscera enlightenment. Like liver or Limburger cheese, they are willing to sample small doses, and that’s about it. This doesn’t mean viewers have enjoyed it.
#SPLATTER BEACH FULL MOVIE MOVIE#
From David Warner’s decapitation in the original Omen to the infamous fish tank frenzy in Silent Partner, the mainstream movie has readily embraced entrails as a means of making its point. Many felt that The Exorcist had pushed the boundaries of taste when director William Friedkin showed young Regan McNeal having her artery tapped for a CAT scan (apparently, the crucifix and the pea soup were easier to tolerate), while Broadway He-va Bob Fosse offered an extended sequence of open-heart surgery smack dab in the middle of his autobiographical musical All That Jazz. After all, splatter tends to measure its own value in gallons of blood and baskets of body parts. It's an hour of wasted time and you will by all odds not laugh a single time, it's just pathetic, poorly made and really boring.Determining the greatest gore films of all time is not an easy task. **Polonia** has really stuck in childish and **Splatter Beach** is like a horror movie in the style of the 90's TV-shows like "**Eerie Indiana**" and "**Goosebumps**", but even worse. Even the music will be a part of the humor, and I was almost ashamed when I listened to it. It's very rare (except for radio music) that I hear this kind of bad music. In this edition of **Camp Motion Pictures** it comes a bonus disc containing the film's soundtrack and I promise I will never ever put it in my CD player. Should we laugh at this shit? I didn't laugh once. The 1.33:1 full screen image is colorful and clean, with just the slightest haze in the transfer to indicate some post-production processing. Normally, I totally love that kind of humor, especially when it comes from **Troma**, but **Polonia** tends to make it really boring. Combining both video to film and direct DV-R footage, Splatter Beach looks very good, especially when compared to other efforts by the Polonias. This movie intended to be a comedy and the film's humor is about homosexuality, sexual acts, farting, lesbianism and Hercules movies. The green-screen effects have gotta be the worst in cinematic history.
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The acting is amateur and the directing is atrocious. It's about the Polonia brothers trying their hardest to rip off “**Humanoids from the Deep**” and other sea-monster flicks and I also see some parables to **Jaws** and **Psycho**. This is supposed to be a comedic tribute to the beach monster movies of the 1960s.